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Having a (dead) whale of a time

October 20, 2010

Our first morning in Bulungula was the start of The Very Bad Smell.

It was a briny and acrid scent, kind of like fish and garbage and feces, all tinged with the sourness of death.

A man from the village explained simply, “Dead whale.” He said it with a shrug, as if it happened all the time.

“Oh, of course,” I said. I shrugged in return and nodded, as if I should have known better.

The mammal had washed on the beach about three weeks before that, but it had taken some time for the decay and bacteria to form an horrible stew.

The villagers pillaged this gift from the sea, sawing off layers of fat, meat, bone. The rest of the carcass remained next to the surf, all rotting blubber and organs, bleached by the sun, washed by the waves, slowly returning to the ocean — a massive beast turned smudge on the shore.

The Very Bad Smell wriggled its way into our huts when the wind blew a certain direction, which, thankfully was not often. When it did, I only shrugged, as if being downwind from a gutted whale corpse was just a typical part of my life.

 

Letter to my husband

October 20, 2010

Dear Husband,

Remember what you told me before I began this round-the-world journey? You said, “If you find someplace that pulls at your heart, please consult me before you decide to stay.” You said, “Don’t just stop somewhere without discussing it with me first.”

I said, “Of course. I would never dream of doing such a thing without talking to you.” I said, “I promise.”

Well, I have never been so close to breaking a promise to you.

Bulungula is a place of staggering beauty, almost painful in its perfection. Each day when I wake and look out the door of my thatched-roof hut, I can barely soak it all in. It is magnificent.

The ocean is the kind of rich teal that almost never exists in nature. The pale sand eventually gives way to smooth, black rocks. The hills are dotted with pastel-colored huts, like toppings on cupcakes.

I’m not saying life here is easy. The women still have to fetch water from the river, haul sticks from the forest to make fire, grow their own produce in sometimes-uncooperative soil.

The men usually travel to Johannesburg to labor in the mines, which is hot, dangerous work. They are often away from their families for six months at a time.

That said, there are advantages to rural village life.

The people are kind, with quick, generous smiles. The culture of begging that exists in other places isn’t an issue here. The villagers work hard and have a lot of dignity, and when it comes time to play, they gulp down homemade corn beer and dance under the stars.

The kids are kids, content to run and play and feel the seaspray on their shoulders. Their soccer field has tilted goalposts and no lines, but it works. The children’s laughter can be heard rolling over the hillsides.

Everything is put to use here, a place where reduce, resuse, recycle was the norm long before green was chic. Inside the traditional healer’s hut, for instance, an old toothbrush has been affixed to the wall, the bristles now used as a hook to hang baskets. Plastic soda bottles, tossed on the side of the main road, are now lampshades. Food scraps are composted.

There’s no jail or police force. Disputes are settled by the head man, who tends to nap in a field and smoke a pipe all day long, grumbling about the rough life of a head man.

And, of course, there’s that lovely backdrop — scenery that stuns the eyes, holds the heart and inspires you to leave your own home behind.

Yes, I could live here.

I’d love you to join me. Find me at the pink hut where the river meets the ocean.

Love,

Maggie

P.S. According to village customs, you still owe my dad 10 cows in exchange for marrying me.

 

To hell and back

September 29, 2010

Call it divine intervention.

As soon as I heard about Palacio Barolo, my inner literary nerd rejoiced. An enormous building designed to pay homage to Dante Alighieri and “The Divine Comedy”? Yes, please!

Since the building is now filled with staid offices and busy professionals, I figured it would be difficult to tour. Or, at least, located far across town.

Turns out Dante was pulling for me, because I could actually see the building from my hostel. All I had to do was walk across the street, fork over 30 pesos and sign up for one of the afternoon tours.

With Europe in chaos at the beginning of the 20th century, the structure was originally conceived as a place to house Dante’s remains and keep them safe.

The Italians, however, didn’t go for that plan. Dante is the father of the Italian language, known as “The Supreme Poet” throughout the country, and Italy wasn’t about to ship his ashes to Buenos Aires. So they hung on to their beloved poet — which means the building built for Dante is actually Dante-less.

Even so, the monument is a masterful work of architecture and design. When the building was finished in 1923, it was the highest in all of South America.

The building’s 100-meter height represents the 100 cantos of the poem.

The ground floor ushers visitors into hell. When the sun catches the nine arches — one to symbolize each circle of hell — they glow with fiery reds and yellows. Sinister gargoyles form a ring around the room.

The next 14 floors form purgatorio, where tormented souls wait to escape the sorrow and misery of sin for a state of grace. (Aside: There are many law offices on this level.)

Each floor has 11 or 22 offices to mimic the poem’s cantos, which have 11 or 22 stanzas.

And finally, climbing from floor 15 to 22, you can reach heaven.

The view is divine. Of course.

 

Writing on the wall

September 27, 2010

Street art always reminds me of all the nights I spent scaling bridges, tagging buildings and scribing on walls with my crew.

No, that’s not true.

Though I’ve never been a graffiti artist, I definitely appreciate art — both lawful and unlawful — and applaud lovely bursts of self-expression. That’s why I was so intrigued by the Graffiti Mundo tours of Buenos Aires, which promote street art in the city.

Unfortunately, running out of both time and money, I didn’t get a chance to actually take one of the tours. So I set out to find some graffiti on my own.

On a side street in San Telmo, I stopped to snap this:

As I walked away, a young guy with spiky hair and a black leather vest yelled, “Chica!” I gave him a little nod and continued walking. “Chica!” he hollered again. I ignored him.  Finally, he ran up behind me — “CHICA!” — and blurted out something in rapid gunfire Spanish.

I apologized and said I didn’t speak Spanish.

“You like the graffiti?” he said.

He introduced himself as an artist and said that neighborhood contained some fantastic examples of Buenos Aires street art. “Come with me,” he said. “I’ll show you.”

Trusting him, I went. And I’m so glad I did.

We wandered San Telmo for a couple hours, soaking in the vivid colors and designs.

The streets felt like those Russian nesting dolls, unfolding with one surprise after another.

I think graffiti art offers unique insight into a city — a visiually compelling way to understand its energy, politics and overall vibe.

Having a personal tour with an artist only made the day more beautiful.

 

80 days later

September 25, 2010

It’s been 80 days since I ventured away from home and set off on the road.

In that time, Phileas Fogg made it all the way around the world, while I’ve only been through one continent. But, oh my, what a trip this has already been!

In that short period of time I’ve:

Been cleansed by a shaman.

Learned to shoot a blowgun with an Amazonian tribe.

Got cuddled by dozens of monkeys — and bitten by one.

Slept (poorly) on 9 overnight buses.

Hiked the Inca Trail to Machu Picchu with my husband.

Seen mummies, dinosaur footprints and the world’s largest salt flats.

Stayed out all night in Buenos Aires.

Had a Bolivian woman urinate on my backpack.

Seen pink dolphins.

Drank pisco in Pisco.

Flown over the Nazca lines.

Attended my first football game.

Spent the night with a family on Lake Titicaca.

Answered the eternal question — can bikini bottoms double as underwear?

Nearly purchased a rum distillery.

I’ve learned a lot about myself while traveling, but mostly I’ve learned a lot about the world. I still marvel over the fact that every day brings me to streets I’ve never seen before, surrounded by people I’ve never met, in places I never knew existed.

Before I began this trip I wondered how travel would change me, and now I wonder how it won’t.

Here’s to the next 80 days!