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Fake limbs and forced sobriety: My first night in Rwanda

November 28, 2011

NOTE: Rwanda ended up being one of the highlights on my round-the-world trip. The first few days, however, were a little bumpy. This is the story of my first night in Kigali.

 

They call Rwanda “the land of 1,000 hills,” but I couldn’t see any of them from my room inside a prosthetic limb factory.

I was paying $35 a night for an excessively tall jail cell, fashioned from windowless walls that loomed cold and hard at least 25 feet high. The mosquito net above the bed looked like it had been vomited out by the ceiling. It sagged with knots on one side and was peppered with golfball-sized holes on the other.

A smaller stone wall partitioned off the bathroom, consisting of a shower head, a clogged drain, a wobbly sink and a toilet that didn’t flush. For an extra $10 a night, I could have received an “upgrade,” which meant that the owner would turn on the hot water, but my budget was too small to indulge in such luxuries.

 

I wasn’t even sure what I was doing in Rwanda, although it was easy enough to form a number of rationalizations. I had already spent a month in Uganda, and it was time to add another African country to the list. I was looking for a place to volunteer for a few weeks, and Rwanda sounded as good as anywhere else. And Rwanda is small and manageable, about the same size as Maryland.

Plus I really liked the movie, “Hotel Rwanda.” I imagined a land populated by 10 million Don Cheadles.

 

It helped that it was an incredibly simple border jump from Kampala, Uganda, to Kigali, Rwanda. The bus journey took just 8 hours — that’s lightning speed in African bus time — and cost only 25,000 Ugandan shillings — about $10. So what did I have to lose?

I arrived in Rwanda with no map, no plan and no idea where to stay. When the bus stopped at Kigali’s clogged and smelly Nyabugogo market, where every step involved a piece of garbage or rotting entrails, I simply hopped into a cab and asked the driver to take me someplace safe. And that is how I was steered to a prosthetic leg factory on the outskirts of town.

 

After I checked in, it was too late to travel 15 miles into the city but still too early to go to bed, so I explored the property instead. In the windows of my building, firestorms of sparks illuminated men in welding masks, constructing limbs for thousands of people who had been maimed during the 1994 genocide. On my way to the hostel bar, I stumbled over a stray fake leg.

The bar was reggae-themed, with portraits of Bob Marley sagging from mossy beams of wood. Steel-drum music blared from tinny speakers on top of the beer refrigerator. I perched on a leaning bar stool and ordered a Primus, the Budweiser of Rwandan beer.

“Primus for boys,” the bartender said, her face as flat and hard as a river stone.

“Um, that’s OK. I’ll take a Primus anyway,” I said.

“No.”

“Er, OK. Fine. I guess I’d like an Amstel?”

“No.”

“Are there any drinks I can have?”

“No. You already too drunk, lady,” the bartender said, matter-of-factly. “You don’t even know what you want to drink.”

With that, she dismissed me. This was my introduction to the incredibly frustrating task of communicating my desires in Rwanda, but it wouldn’t be the last. Only an hour later I would have the following exchange with the manager of the hostel/limb factory:

“Do you have a kitchen?”

“Oh, yes,” he said, smiling, but offering no follow-up.

“Is it a kitchen that guests can use?”

“Oh, yes,” he said, again with a wide grin.

“May I use the kitchen?”

“Oh, no.” With that, he walked away. No explanation.

Sober and hungry, I took deep yoga breaths to avoid punching anyone in the face. I grumbled to myself and kicked rocks all the way back to my room. There was a 4-month-old, smashed Bolivian granola bar in the bottom of my pack, so I ate that and threw curses at the blank wall of my cell. I paced the concrete floor like I was trapped inside a mental institution. I felt weak with an absence of power.

Just as my pity party was hitting its climax, the one lightbulb in the room gave up and went dark, as if it committed suicide.

I cried. I cried as the room remained frustratingly dark. I cried as mosquitos flew through my protective net and into my ears. I cried as the toilet spontaneously belched foul water onto the floor. Then I thought about how I had no real reason to cry in a land of genocide and unspeakable horror, and that made me cry harder. I cried for people I’d never known and the people I never would and all the ache in between.

That night I dreamt of malaria and detached body parts.

 

My flips went flop

November 13, 2011

R.I.P. old, navy, Old Navy flip-flops.

I try to avoid getting too attached to objects, but losing this pair of shoes actually snags my heart a little. This $2 pair of flip-flops is what propelled me around the world.

 

You guys, if these shoes could talk … well, first they would say some pretty filthy stuff. But then then would tell you all about their extraordinary adventures.

These shoes have been up the Inca Trail to Machu Picchu, on safari in South Africa, through rice fields in Uganda, around temples in Cambodia, inside pyramids in Giza. They took me down the beaches of Goa and to the top of Mt. Sinai. I inappropriately wore them to a nightclub in Argentina. One flop got washed away down a gutter in Chiang Mai during Songkran; I chased it down in the murky moat water.

They have stepped over fish heads, garbage and cow dung. They have been across insect-encrusted floors, inside countless nasty bathrooms and showers, over layers of filth I still refuse to acknowledge. There’s a good chance they are infected with typhoid.

When I befriended tigers in Thailand, I was warned to keep my shoes on, “in case you have to run for your life.” Not that I was ever going anywhere fast in my flip-flops.

 

My flip-flops have been called many names by new friends all over the globe. They are “thongs” to Aussies, “jandals” to Kiwis and “ship-ships” in Egypt — because that’s the sound you make as you walk through the sand. “Ship … ship … ship …”

These flip-flops were a part of me for so long, you can still see the imprint of my foot in them.

After I returned from my trip, The Husband begged me to throw them away.

“You can’t just wear flip-flops every day for the rest of your life. Also, they smell,” he said. “Let me buy you some new shoes.”

“These are all the shoes I need!” I snapped, and I continued to wear them.

Until one day I didn’t. I was lured out of the house without my trusty flip-flops, betraying them with a sultry pair of Nikes. And of course, that was the day my dog decided to get her chew on.

So it’s all my fault. I left my flip-flops alone and vulnerable, instead of on my feet where they belonged. Now I have to pay the price.

Just know how much I’ll miss you, Shoes. You were a trusty and loyal companion. You were sturdy and reliable. You flip-flopped my heart, and I’ll never be the same.

The last letter writer in Vietnam

October 20, 2011

Duong Van Ngo knows the power of words.

That’s because he is Vietnam’s last professional letter writer.

 

For decades Ngo has been writing and translating love letters between soldiers and their lovers, families and loved ones, parents and children.

Each day he arrives at the Saigon post office, an intimidating, peach- and green-colored colonial structure, at 8 a.m. sharp. He leans his bicycle underneath the sycamore trees.

Inside the building, Ngo situates himself at the end of a long wooden bench near a pastel portrait of Ho Chi Minh. Here the 81-year-old unloads books of postal codes, dictionaries, piles of files and stacks of papers. Finally, he pulls out a cardboard sign that reads “Information and Writing Assistance.”

It took me several laps around the expansive building to find him.

 

Translation is tricky business, according to Ngo, who is fluent in Vietnamese, French and English.

“Each word means something,” he says. “You must choose with care.”

Ngo is the last of his kind. There was another professional letter writer in Vietnam, also stationed at the Saigon post office, but that man died several years ago. After he passed, there was nobody to replace him.

“It’s a shame,” Ngo says. “Connecting people with words is so important.”

He knows what he’s talking about. Over the years, Ngo has negotiated business partnerships. He has reunited families. He has proposed marriage. He has used his words to bridge cultures, miles, time. He has wrapped up love in an envelope and sent it across oceans.

Though he says he never inserts his words into other people’s messages, Ngo is a master at massaging language. He has an instinct about what to say when and how. He knows when to use affection and when to remain aloof, when to gush and when to be restrained, when to be a professional and when to be poetic.

I hand over a postcard for Ngo to pen for my husband. I want it to be a love letter in Vietnamese, and I push him to help me write it.

Ngo’s blue pen swirls and swooshes with curls like delicate lace. He points to the first line, “This says, ‘My darling. Saigon is void of beauty without you here.'”

Every word is gold.

I ask if he ever uses a computer or sends e-mail. Has he ever felt pressure to adapt with the times and modernize his work?

“Never,” he says. “Machines are cold and have no soul. Letters have heart.”

When I try to slide some money his way for writing a couple of postcards, Ngo refuses.

“I love what I do,” he says. “It would be wrong for me to accept payment for something that is a pleasure.”

 

 

 

 

Mr. Postman

October 18, 2011

I had a stack of souvenirs and clothes, ready to ship back to the United States. Except the employee at the Mysore, India, post office wasn’t having any of it.

“No. Send.” he said, abruptly clipping each word.

“But why? Why no send?”

“No send,” he repeated.

“Please help me.”

“No send!”

After several frustrating minutes, that’s all he would say. It was infuriating.

Just then a boy tugged at my sleeve. “You want to send parcel?” he said.

“Yes, I want to send parcel,” I growled, hovering on the verge between screaming and crying. “I am here to send parcel.”

“Come with me.”

The boy held my hand as we weaved in between speeding rickshaws and honking motorcycles. He led me down into a basement, where he pulled up a plastic chair and motioned for me to sit.

A few seconds later, the boy’s father appeared. Syed was the 43-year-old owner of his own parcel packaging service. Or, as his hand-painted sign stated, “Parcle paking.”

It turns out that all packages mailed from India must be wrapped in cloth and sewn shut, with the seams covered in globs of sealing wax.

As we chatted, Syed pressed my stack of clothes in between two empty sari boxes, then tied them together with twine. He covered that with plastic and taped it together several times over. With a quick snip of some scissors and the whirr of a sewing machine, Syed fashioned a cream-colored cloth bag for the entire package. It fit as snugly as a pillowcase. He sewed the end shut by hand using mustard yellow thread.

 

Over a cup of tea and a hot samosa, Syed showed me the book where he keeps meticulous records of each and every package he has mailed — including gushing e-mails from thankful customers who receive their souvenirs at home, intact and on time.

He was interested in trying out my computer, so we flipped through photos together. He pointed to a shot of my sister.

“She is very beautiful,” he said.

I agreed.

“More beautiful than you,” he said.

“Yes, yes. My sister is much more beautiful than me. She always has been.”

“She is younger, yes?”

“Uh … actually, she’s 13 years older. But thanks.”

He pointed to another photo.

“Who is this?”

I told him it’s me.

“No, really? But this woman is beautiful!”

“Yeah, I can’t explain it. Maybe that picture was taken on a good day.”

“And this? This is you?” he pointed to another photo of me. Then he carefully eyed me up and down. “It is my thought that you have gained weight.”

“You are probably correct,” I said, then shrugged. “What can I say? I like samosas.”

On that note, I excused myself from Syed’s shop.

The package eventually arrived in Palm Springs with no problem, even though Syed addressed it to “CALIFORNIA GURL!” (I’m still shocked it didn’t end up on Katy Perry’s doorstep.)

And now it seems Syed has decided that I am something of a looker, after all. We’ve become friends on Facebook, and today he sent me this message: “Hello, dear maggie your all of photos most beautifuls. your face is the moon. best regurd.”

It was terribly sweet. If there’s one thing this California gurl loves more than samosas, it’s best regurds.

Street art in Asia

August 28, 2011

Sometimes I’m embarrassed I can’t see the world the way street artists do.

I don’t look at a metallic sliver of garage door and see a robot. I don’t know how a dark alleyway can transform into a dazzling display. I can’t find the rainbow of colors in concrete.

I don’t have that kind of vision — but thankfully, I can still get a peek.