Browsing Tag

writing

Citizen journalism in the age of Trump

February 26, 2017

These are anxious times for free media. We have a president who systematically and deliberately delegitimizes the press, fears the truth, and views the First Amendment as a threat. At the same time, many newsrooms are lean and have limited resources.

There is hope, though. Thanks to social media, the Internet, and the proliferation of media outlets, there is an opportunity for anyone to become a citizen journalist – engaging, informing, and educating others.

Like it or not, we are the truth-tellers now. And this is how to do it.

  • Work a beat

It’s too easy to become overwhelmed by outrage fatigue. Instead, find one or two issues that you are passionate about, whether it’s gun violence, climate change, immigration, healthcare, LGBTQ equality, religious freedom, etc. Research those issues, and channel your energy in that direction. Become your own expert.

  • Be persistent

This is particularly important when confronting members of Congress who don’t value the voices of their constituents. When the voicemail is full, fax them. When the email goes unanswered, go to their office and knock on the door. Remember: When someone is evasive, that means you’re on the right track.

  • Greet the news with skepticism

Don’t be an impulse buyer of news. Read beyond the headlines. Find primary sources. Question numbers. Read transcripts in their entirety.

  • Be accurate with the news you spread

Confirm numbers. Look up facts. Make sure quotes are in context. Spreading falsehoods ruins your credibility, and other people will no longer take you seriously.

  • Demand answers

If you’re talking to an elected official, assert your power. They work for you. If you receive a response that isn’t adequate, call them on it. Ask what they’re going to do about the problem, how will they accomplish this, and when you can expect results.

  • Be clear

Communicate your message in a clear, concise way. We’re often talking about complex issues with a lot of nuance – we must cut through the noise to help people understand what is important and how it affects them.

  • Listen

A lot of people don’t post their politics on Facebook, tweet their issues, or write letters to the editor. They make their voices heard at the ballot box. It’s imperative we listen to their concerns now so we know how to best address them. We don’t want a surprise in 2018.

  • Ask questions

Find out why your friend, neighbor, or relative voted the way they did. Ask what they are looking for and what they hope to achieve. Why do they feel what they feel? Give up trying to find common ground; just find their ground.

  • Amplify the voices that aren’t being heard

The people who are loudest have an agenda, and their voices are already well represented. Find those who aren’t being heard and lift them up.

  • Look for new entry points into the conversation

I love novels because fiction allows us to address important issues at an angle. Fictional characters offer a distance we don’t get with the news, and it opens up valuable entry points for conversation. Find books, movies, TV shows that allow you to have difficult talks with other people.

  • Use the tools of storytelling

Legislation isn’t just a dusty document in some Congressperson’s office. These decisions affect real people, real families, maybe even you. Find the human story, as well as the significance and meaning of the story, and make the connection that policy is personal. Form a compelling narrative. Explain why this story matters.

My son’s name is the title of an action movie

September 15, 2015

My son, Everest, shares a name with a movie, Everest, that will be released this Friday.

So it’s funny when I hear TV commercials boom, “The ultimate challenge is about to begin: EVEREST.” Sometimes I find myself looking at my own wild Everest, nodding along, like, “Yes! This voiceover guy is talking about my life.”

That’s why I took some of the movie marketing and mashed it up with my child. The results make me wish every baby came with movie taglines.

summer deals!

 

summer deals!-2

 

summer deals!-10

 

summer deals!-3

 

summer deals!-5

 

summer deals!-8

Writing Process Blog Tour 2014

September 17, 2014

My friend Maggie Thach was kind enough to tag me in the Writing Process Blog Tour. You can check out her answers to these very same questions on Jim Ruland’s blog.

Here we go:

What are you working on?

Well, I gave birth just two months ago. So there’s the writing I did before Everest was born, and then there’s what I’ve been doing lately, and the Grand Canyon sits in between. I can’t even see the other side from here.

Pre-baby: A memoir. Essays. The occasional short story.

Post-baby: Sleep. Grocery lists. Little bits of this and that. Finding things that rhyme with “Go to sleep.”

I’d like to say I’m working on more, but finding an hour of quiet, hands-free time now is like spotting a unicorn in the wild. During those rare, lovely moments when Everest is napping, I have a decision to make: Do I sleep? Do some housework? Should I chip away at the marketing work that gives me a paycheck? Or write something creative that might result in payment eventually?

Housework usually wins, since I need clean dishes and laundry and such. The marketing work is a close second, because money is good. The creative work suffers the most.

Honestly, I should sleep more. I should be sleeping right now. I am so tired.

Also he should sleep more.

Also he should sleep more.

 

Why do you write what you do?

My mom. I was a writer before my mom was diagnosed with early-onset Alzheimer’s Disease, but her disease added a deeper purpose and a sense of urgency to my writing. It also changed how I live my life. Knowing that the disease might be genetic, I made a conscious decision to experience more while I still could and capture those moments on the page — and that’s pretty much the whole story of my memoir.

Also because Alzheimer’s steals so much from a person, I wanted to give my mom the dignity of being remembered. This book is my way of maintaining her presence in the world. I didn’t want her to be like a Monet in the attic, something beautiful that is never seen again.

 

How does your work differ from the other works in the some area/genre?

My story is not quite a travel memoir and not quite a grief memoir. It’s something in between, and it’s different because it’s mine.

It was devastating to witness the degeneration of my mom — as each day moved forward, she was erased a little more — but it was also transformative for me.  Watching her die helped me learn how to live. I didn’t want to put things off anymore. I had to see the world, love radically, and collect memories. And in the process, I wanted to honor my mom by living out her dreams.

So I spent one year backpacking to 18 countries around the world, hiking the Inca Trail to Machu Picchu, whitewater rafting down the Nile, praying at an ashram in India, tending to abused elephants in Thailand, volunteering at a monkey park in the jungles of Bolivia, fleeing the Arab Spring in Egypt. My trip was made mostly solo, and it involved quitting my longtime journalism career, losing all sense of security, and leaving my newlywed husband in California for the first year of our marriage. It also meant rediscovering home and what it means to be part of a family.

 

How does your writing process work?

I don’t have a process anymore. In the two months since Everest arrived, all red-faced and hollering, I’ve felt the itch to write but I haven’t had much luck actually doing it. Some of it is a time issue, since this kid is super needy and refuses to pull his own weight around here — but mostly I can’t string together coherent thoughts anymore. My brain is blurry, and my hormones are pinging around like crazy. So I’ve been keeping notes, lists and snippets of things on my iPhone, things to tackle later when the mom fog dissipates and my body returns to normal.

Also he is loud. Have I mentioned that? It’s hard to write when your ear drums are shattered.

Some days are hard.

Yep.

 

At first I felt guilty about not writing. Then I remembered an amazing conversation I had with Attica Locke, back when I was eleventy months pregnant and about to pop. She said to put the work on a shelf. Let it sit there for a few months, maybe more. Focus on taking care of my baby and taking care of myself. “The work will wait,” she said. “The baby won’t.”

So that’s where I reside now. I can only handle one thing at a time that is demanding to be fed. Right now it’s a human. Eventually it’ll be my book.

 

Continuing the blog tour: I tag Heather Scott Partington and Leigh Raper, both incredible writers and friends from my MFA program.

About Heather: Heather Scott Partington was raised in California’s central valley. She teaches high school English and lives in Elk Grove, California, with her husband and two kids. Her writing has appeared at The Rumpus, Bookslut, The Nervous Breakdown and the Los Angeles Review of Books. Heather holds an MFA in fiction from UC Riverside’s Palm Desert Campus.

About Leigh: Leigh Raper writes both fiction and non-fiction and sometimes posts on her blog about pop culture at leighraper.com. Her work has appeared at Spilt Infinitive and in the Best of Spilt Anthology and on The Coachella Review blog. She is slightly obsessed with television, rocks out to classic ’80s hair metal, and plays fetch with a wicked smart Labrador Retriever. She lives in the hamlet of Palisades, NY, on a rural postal route 12 miles north of New York City.

 

15 writing tips from Panio Gianopoulos

February 7, 2014

I’m such a sucker for craft talk, especially lists of writing tips. Oh, those adorable, bite-sized bits that promise to reinvent my prose! I can’t get enough. I gobble them like dumplings.

Unfortunately, those lists rarely stick with me. As easily digestible as the tips might be, they rarely give me any real narrative strategies or provide me with something that truly lasts. Or if they are substantial, the lists are so dense and overwhelming I can’t even think about applying the tips to my own writing.

The exception to this came a few months ago at my MFA residency. And it was a surprise too. Author, essayist and publisher Panio Gianopoulos gave a very thorough lecture about novellas — writing novellas, classic examples of novellas, the market for novellas.

This is the novella that Panio built.

 

Then POW! Out of no(vella)where, Panio ended his talk with his top 15 writing tips. Not just for novellas either. And he gave me permission to pass this list along to you.

So here you go. These tips are smart, practical and best of all, super helpful. Enjoy. And thank you, Panio!

Here’s Panio in a photo I illegally swiped off the internet. Photo credit: Molly Ringwald

 

1. Write toward discomfort.

Panio talked about this in the context of fiction, but this comes up a lot in my nonfiction classes as well. Proceed directly to the scary, uncomfortable place. That’s where all the feelings are.

2. Pursue the accidental. (Don’t learn to type real well.)

I don’t remember the example that Panio used here. It was something about how he mistyped a word, but it led him down a different, more interesting path with that sentence. Like when autocorrect invites your boss to a poop party instead of a pool party.

3. Things are usually half as funny as you think.

e.g. My poop party joke. (See: above)

4. Movement! Action! Things have to happen.

This is a good one. You wouldn’t believe how many short stories I’ve written where people just sit around a coffee shop, talking. Then sometimes they have sex.

5. The reader has to care about the protagonist. (They don’t have to LIKE the protagonist. They just have to have a reason to care.)

I can actually think of a lot of books in which I didn’t like the protagonist. For example, I didn’t want to become BFFs with Nick from “Gone Girl.” But I wanted to watch his transformation through the story, and that propelled me through the entire book.

6. It’s OK if you don’t write fast and sloppy first drafts.

This one is liberating. I’ve had so many writers tell me to dash off a quick, messy draft — “You can’t fix a blank page!” they chirp — so it’s refreshing to hear the opposite of that. I’m a person who labors over every word of my draft, and I fix sentences as I work. I’ve tried to overcome this by banging my work out on an old Royal typewriter — I don’t own White Out, and I don’t even know how to do a backspace on the damn thing, so it forces me to leave a messy draft on the page. I even took an online course called Fast Draft. Still, my writing is slow going. According to Panio, that’s OK.

7. Don’t overly discuss a first draft while writing it.

Oh, man. I’ve already killed one story by doing this. It was a rookie mistake — I was new to my MFA program, I was inspired by the great work happening around me, and I wanted to participate in the conversation too. Except, in the process of explaining my book idea to everyone, I strangled the story before it ever found a voice.

8. If you’re worried that it’s boring, it probably is.

Writing is transparent. When I really struggle with a piece and force myself to slog through it, then it reads like drudgery. And when I bore myself? That’s a good indication that readers will be bored too.

9. Title as soon as possible.

This is an interesting tip, and maybe it’s one of those chicken-egg debates. I’ve always thought that as a piece progresses, the work will present a title. But Panio believes having a title in hand will shape the piece in subtle ways. I’m sure it can work both ways.

10. Write two hours or 500 words a session, 5 times per week.

This. This works. I know because I’ve been trying to follow this plan ever since Panio shared it.

11. With feedback, ask your reader the right questions. For instance, what’s the story? What do you think happened? What do you take from this? 

This is another good tip, and it addresses something that is rarely discussed among writers: What exactly are we trying to get from workshop/feedback?

12. Separate publication from validation.

This might be the most difficult one of all. I have gotten better about squashing my envy when good things happen to my writing friends — there’s plenty of space on the bookshelf for everyone’s work, after all. But I’m still very hard on myself when my own essays are rejected, my pitches go unanswered, my work doesn’t get noticed. I assume I suck, and the whole world hates me, and I should become a professional barista already.

13. Beware: Research easily slips into procrastination.

Ah, the rabbit hole of the internet! I’ve lost many writing days to exploring the pop songs of Uganda and discovering how long it takes for a whale carcass to decompose on sand.

14. Read often. And while you’re reading, analyze and record what works.

My seventh-grade literature teacher, Kathi Russell-Rader, always said good readers make good writers. I’m not sure I believed her at the time, but I get it now. On the same note, I’m shocked when I meet writers who say they don’t read. That’s like a chef who doesn’t eat. It’s impossible to be competent in a field without some knowledge of it.

15. Support other writers.

This gets to one of my New Year’s Resolutions for Other People — to be a more active participant in my literary community. Buy more books, support more authors, encourage more reading among everyone.

Speaking of supporting other writers, why don’t you start with Panio? Read an excerpt of his book here.

 

Santa Barbara is DOOMED! (Or How Andrew McCarthy Revealed My Baggage)

April 10, 2013

Let me take you back in time, back before The Husband and I had health insurance.

The Husband was in terrible pain and needed an expensive root canal surgery, but our options were limited. We could drive to Mexico and look for a dentist in Tijuana. We could go to a dentist friend-of-a-friend in Santa Barbara, who was willing to do the work at a discounted rate. Or I could try my luck with an x-acto knife, a pair of pliers and a YouTube instructional video.

He chose the Santa Barbara route.

We were new Californians then, and it was our first visit to Santa Barbara. What little we knew about the place was culled from a new TV show called “Psych” and a soap opera from the ’80s.

 

The dentist was nice, and I was impressed that he opened his office on his day off to do this favor. His practice had one of those forcefully cheerful names, like Dr. Happy Smile Goodtime Dentist O’ Fun!, so I expected to have a great time. Maybe even get a free pink toothbrush.

My husband settled into the dentist’s chair, and I settled into the waiting room with a stack of books and whatever electronic gadget provided entertainment in 2006. A Tamagotchi, maybe? I don’t remember.

The dentist popped his head out of his office.

“Hey, this is going to take a while,” he said. “Maybe five, six hours. Why don’t you go get a cup of coffee or browse around? I’d hate for you to be stuck here that long.”

He gave me directions to State Street, just a couple blocks away, which is lined with boutique stores, galleries and cafes. Then he said he’d call in a few hours with an update. I put my things in my car, then headed to State Street.

Back then, The Husband was The Fiancé, and we were still in the planning stages of our wedding. So when I passed by a bookstore with a large window display of glossy wedding magazines, it was like having my clothes snagged on a thorny bush. I got stuck, and I couldn’t seem to walk away.

Before I knew it, I was in a coffee shop binging on newly purchased bridal magazines, making crazy lists and planning all kinds of shit with tulle. The lunch crowd came and went, but I remained, reading in-depth articles about how to give good face in my wedding photos and 40 reasons to love an illusion-neckline dress.

I had just reached the end of a quiz (Was I an elegant bride? Or a glamorous bride? Dear God, tell me!), when I glanced at my watch.

 

Five hours had passed. I still hadn’t received a phone call from the dentist.

Maybe I should call him, I thought. So I rummaged in my purse for my phone. No phone. I looked all over the coffee shop, back the bookstore, inside every store I visited. No phone. And then, in a jolt of panic, I ran as fast I could to the dentist.

The Husband was sitting on the concrete stairs outside the dentist’s office, cradling his jaw with his hand. He was in tears.

All he said was, “I called you.” And then he nearly fainted.

Here’s what happened: After I left the dentist’s office, the dentist realized my husband’s tooth was too far gone to salvage with a root canal. So he pulled it. The Husband was done and out of the chair within a half hour. The dentist, working on his day off, packed up and left. And my poor boo had been sitting outside for more than five hours, holding his achy jaw, with an unfilled prescription for painkillers in his pocket.

I helped him to the car, where my phone was sitting with the rest of my things. I had 27 missed phone calls, all from my husband. The voicemails covered the entire spectrum from “Hey, I got done early. Come pick me up” to “What the hell? Are you ignoring me? The engagement is off!” to “Are you OK? I’m so worried about you.”

The guilt! Oh, the deep, miserable guilt. This one incident is why I scooped the cat litter for YEARS without complaint.

Now, seven years later, it was time to revisit this beautiful city and make the past right. And so for our anniversary, I planned a trip to Santa Barbara.

 

Through Airbnb I booked a one-bedroom apartment in a leafy neighborhood near State Street. It sounded perfect — a dog-friendly place that boasted a full kitchen, wifi, off-street parking, all kinds of great stuff.

Almost immediately, things went a little awry. The owner of the apartment texted me to say there had been a death in her family, so she didn’t have a chance to clean the place. Also she left her car was in the carport, so we would have to park on the street. I completely understand how the sudden death of a relative can turn everything upside-down, and I truly felt sympathy for this woman, so I cut her a lot of slack. However, I didn’t like that she asked us to lie to her neighbors about who we were and what we were doing there, since she was illegally subletting her apartment.

Later, parked on the street instead of inside the carport, we found a neon-green parking ticket tucked under our windshield wiper.

The next day, in an effort to try something new, The Husband and I took a painting class together and created two lovely pieces of art. We didn’t yet know that just two days later, my husband would drop my painting and shred the canvas.

Then our dog became ill. This involved hours of walking in circles around the pretty, leafy neighborhood, wiping runny poo off the sidewalk.

On one such walk, my husband and I stumbled onto the office of Dr. Happy Smile Goodtime Dentist O’ Fun. The Husband held my hand and gazed at the concrete steps. “Remember when the dentist pulled my tooth and you abandoned me for more than five hours while I was in pain?”

“YES.”

And then our dog defecated on the steps.

Honestly, I wouldn’t say it was a bad vacation. I’ve known people who had bad vacations, and this wasn’t even close. But I will say that this lovely seaside town has a tiny raincloud above it, and it’s addressed only to me. All the things that would pass by uneventfully elsewhere seem to get bumpy for me in Santa Barbara.

I once asked Andrew McCarthy — yes, THAT Andrew McCarthy, the teenage heartthrob-turned-travel writer — how he writes about a location in which something bad happens to him or a place where he doesn’t feel a personal connection.

 

He said, “I’ve realized that when I don’t feel a connection to a place, it says more about me than it does about the place. It’s rarely ever about the place at all. It’s about what you brought there.”

It means I brought a lot of baggage to Santa Barbara.

Or perhaps, like my husband’s tooth, I’m rotting from the inside out, and Santa Barbara is simply exposing the decay. Who knows?

Either way, it’s a nice enough place that I don’t mind trying to love it again and again.

There’s always next anniversary.